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Descriptive Writing Definition and Examples. In composition, description is a rhetorical strategy using sensory details to portray a person, place, or thing. Description is used in many different types of nonfiction, including essays, biographies, memoirs, nature writing, profiles, sports writing, and travel writing. Description is one of the progymnasmata (a sequence of classical rhetorical exercises) and one of the traditional modes of discourse. Etymology. From the Latin, .
Knopf, 2. 00. 6)Show; Don't Tell. Do not tell me that the Thanksgiving dinner was cold. Show me the grease turning white as it congeals around the peas on your plate. Think of yourself as a movie director.
You have to create the scene that the viewer will relate to physically and emotionally. Cape Coral Dating more. Williams, Sin Boldly!: Dr. Dave's Guide To Writing The College Paper.
Basic Books, 2. 00. Selecting Details. You must choose the details that matter—that are important to the purposes you share with your readers—as well as a pattern of arrangement relevant to those mutual purposes. That engineer, novelist, realtor, journalist, and tourist may all be describing the very same place.
If each is truthful, their descriptions will not contradict each other. But they will certainly include and emphasize different aspects. Coe, Form and Substance. Wiley, 1. 98. 1)Chekhov's Advice to a Young Writer. Give up commonplaces, such as: 'the setting sun, bathing in the waves of the darkening sea, flooded with purple gold,' and so on.
Or 'swallows flying over the surface of the water chirped gaily.' In descriptions of nature one should seize upon minutiae, grouping them so that when, having read the passage, you close your eyes, a picture is formed. For example, you will evoke a moonlit night by writing that on the mill dam the glass fragments of a broken bottle flashed like a bright little star, and that the black shadow of a dog or wolf rolled along like a ball.'. Writer's Digest Books, 2. What To Talk About When Dating. Two Types of Description: Objective and Impressionistic.
It is a factual account, the purpose of which is to inform a reader who has not been able to see with his own eyes. The writer regards himself as a kind of camera, recording and reproducing, though in words, a true picture. Focusing upon the mood or feeling the object evokes in the observer rather than upon the object as it exists in itself, impressionism does not seek to inform but to arouse emotion. It attempts to make us feel more than to make us see. To impress us with the dreary ugliness of a house, he may exaggerate the drabness of its paint or metaphorically describe the flaking as leprous. Peters, Writing Prose: Techniques and Purposes, 6th ed.
Oxford University Press, 1. Lincoln's Objective Self- Description. Fell, 1. 85. 9)Rebecca Harding Davis's Impressionistic Description of a Smoky Town. It rolls sullenly in slow folds from the great chimneys of the iron- foundries, and settles down in black, slimy pools on the muddy streets. Smoke on the wharves, smoke on the dingy boats, on the yellow river—clinging in a coating of greasy soot to the house- front, the two faded poplars, the faces of the passers- by. The long train of mules, dragging masses of pig- iron through the narrow street, have a foul vapor hanging to their reeking sides. Here, inside, is a little broken figure of an angel pointing upward from the mantel- shelf; but even its wings are covered with smoke, clotted and black.
A dirty canary chirps desolately in a cage beside me. Its dream of green fields and sunshine is a very old dream—almost worn out, I think. His hair, which was very long in back, was gray, except at the temples, where it was white; his mustache was white, and he had a ragged half- inch, full white beard.
There was a bump about the size of a walnut over his left eye. He had on steel- rimmed spectacles, with a piece of paper under the nose- piece. He was in no hurry to get to Manhattan. The purse is small, about the size of a paperback bestseller, and thus it is totally unsuited for lugging around such paraphernalia as a wallet, comb, compact, checkbook, keys, and all the other necessities of modern life. Hundreds of tiny pearl- colored beads dot the outside of the handbag, and on the front, woven into the design, is a starburst pattern formed by larger, flat beads. Creamy white satin lines the inside of the bag and forms a small pocket on one side. Inside the pocket someone, perhaps the original owner, has scrawled the initials .
At the bottom of the purse is a silver coin, which reminds me of my teenage years when my mother warned me never to go out on a date without a dime in case I had to telephone home for help. In fact, I think that's why I like my white beaded handbag: it reminds me of the good old days when men were men and ladies were ladies. The colonels were all shortish, round men with tweedy jackets, well- slicked silvery hair, an outwardly gruff manner that concealed within a heart of flint, and, when they walked, a rakish limp.
Their wives, lavishly rouged and powdered, looked as if they had just come from a coffin fitting. William Morrow, 1. Stronger Than Death. It fills our lungs with the life of its author. Suddenly he sings within us. Someone else has seen life as we see it!
And the voice that fills us, should the writer be dead, bridges the gulf between life and death. Great description is stronger than death. Henry Holt, 1. 99. Pronunciation: di- SKRIP- shun.